Ah ben, aussi, si vous lisez le nom "Creer Pipi" (ou "Cirer Pipe" - M. Binocle, je ne vous félicite pas pour vos calembours douteux) à la française...

. Andrea Bonazzi .

Born in 1968, Andrea Bonazzi lives in Genoa, Italy. Besides to raise Shoggoths, and in addition to try to smuggle good Weird Fiction in his country, he makes sinister sculptures, blasphemous alien idols and various Lovecraftian props often mixing his artworks in improbable photographic portraits of Weird and Fantasy authors. His works are widespread through the Internet, and sometimes printed in magazines and books around the world, from The Welsh Academy Encyclopaedia of Wales to the book cover for the Japanese edition of Lin Carter's Lovecraft: A Look Behind the Cthulhu Mythos, or the frontispiece for the forthcoming Aklonomicon.

. Nick Gucker.
Nick "The Hat" Gucker is an avid fan of horror in its various and sundry forms with a distinct interest in the weird and Lovecraftian elements of the genre. He has been involved with comics, story boarding, painting and illustrating with a focus on these peculiar and particular interests since graduating from The Art Institute of Seattle. Nick is a collector of Masonic and Shriner odds and ends and various bits and pieces of things that have passed this mortal coil. He also has a strange fascination with Godzilla and his foes, both reptilian and alien in origin. On a smaller scale, he is also an entomophile who does not discriminate between those of the six and eight legged variety. He is approximately 17% of the way to becoming a crazy cat lady.
In 2009 Nick joined Crypticon, Seattle's premier horror convention as a board member and primary artist and designer of all print media, posters and apparel.
In 2010 Nick became one of the many tentacled appendages of Strange Aeons magazine, working as the sole staff artist. Recent collaborations include illustrations for a comic and a short story with Los Angeles-based writer and raconteur Cody Goodfellow, artwork for a story by Sci-Fi mythos writer David Conyers for Perilous Press and various commission pieces.

. Marc Simonetti .

Marc Simonetti has been a professional artist for five years now, working in various fields including cover art, concept art for video games and films, and matte paintings for TV advertisements.

the backwoods folk -had glimpsed the battered mantel,
rickety furniture, and ragged draperies. It spread over it a
robber, a shedder of blood, when I listened with mad
intentness. At last you know!At last to come to see me. Now
Absalom.

the absence of any real link with that of 598 Angell Street
was as the old castle by the shallow crystal stream I saw
unwonted ripples tipped with yellow light, as if those
depths of their rhythm. The training saved them.

the bed, and make thee borders of gold with studs of silver.
1:12 While the case histories, to expect. As mental
atmosphere. His eyes were pits of a hundred and fifty
shekels, 30:24 And he laughed mockingly at the village
summoning.

the commandment of the room; then this. If this thing. 25:1
If he had no way to turn either to the coyote - or to
something was wrong. Marsh and Marceline represents. I am
strong. 26:16 I also in me. 14:2.

the ghouls, whose utter strangeness and their backsliding, I
will love him, and have redeemed them, yet thou never gavest
me a people: 8:11 And I said unto them, and I believe that
the king doth behold the upright. 33:2 Thus.

the gleaming sand, bobbing lanterns. The Philistines be upon
thee, and because the famine in the heart proceed evil for
Israel, with hesitancy, and which I had known it, to
himself, he said, How shall depart from his house. 7:2 That.

the results we learned that no harm him, and rent it. 7:22
My face again no not to inform me, even all the heads of the
unutterable consequences. It could tell, it thunders. The
thing came out of Egypt. Who knoweth.

the grass-grown line on the glassy, phantom bones. 50:18
Therefore the children of Israel dedicated the sea, diverse
and I hung an air of the war, to rest in my brother for
nought, and the counsellor, and the cunning workman, and.

the great hill that put bitter weeping; Rahel weeping for
Tammuz. 8:15 As it fastened his body to the dead youth who
would "go the king lifted up his Son of Professor George
Saintsbury - "the criminal is securely strapped to.

As you can see, the output is pretty crude. Obviously this was a half-hour hack, not a properly finished product; but I think it shows promise — His eyes were pits of a hundred and fifty shekels — and a definite feel of familiarity — It spread over it a robber, a shedder of blood, when I listened with mad intentness.